Google celebrates Mary Cassatt’s birthday!

Google celebrates Mary Cassatt's Birthday!
Who is Mary Cassatt? According to Wikipedia:

“…Mary Stevenson Cassatt (May 22, 1844June 14, 1926) (pronounced [kəˈsæt]) was an American painter and printmaker. She lived much of her adult life in France, where she first befriended Edgar Degas and later exhibited among the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children…Degas had considerable influence on Cassatt. She became extremely proficient in the use of pastels, eventually creating many of her most important works in this medium. Degas also introduced her to etching, of which he was a recognized master. The two worked side-by-side for awhile, and her draftsmanship gained considerable strength under his tutelage. He depicted her in a series of etchings recording their trips to the Louvre. She had strong feelings for him but learned not to expect too much from his fickle and temperamental nature. The sophisticated and well-dressed Degas, then forty-five, was a welcome dinner guest at the Cassatt residence…”

At first glance, Cassatt’s paintings seemed familiar. Now I know. It’s that Degas influence. More of Cassatt at

“Mary Cassatt (1844-1926) was a unique artist because she was a woman who succeeded in what was in the nineteenth century a predominantly male profession, because she was the only American invited to exhibit with a group of independent artists later known as the Impressionists, and because she responded in a very distinctive way to their mandate to portray modern life. In regard to Degas’s invitation to exhibit with the Impressionists, she told her biographer, Achille Ségard: I accepted with joy. At last, I could work with absolute independence without considering the opinion of a jury. I had already recognized who were my true masters. I admired Manet, Courbet, and Degas. I hated conventional art.

Here’s on Cassatt:

“…The physicality in Cassatt’s work seems to have made some uncomfortable. Eloquently capturing a moment between rest and play, Portrait of a Little Girl portrays the daughter of friends of Degas in an interior with Cassatt’s dog. Cassatt submitted the painting to the American section of the 1878 Paris Exposition universelle: its rejection enraged her. The jury could have been affronted by the girl’s insouciant sprawl: she has flopped into the chair, looking hot, disheveled, exhausted, even bored. With her clothing pushed up to reveal her legs and petticoat and her left arm lifted and bent around her head, the young model can be perceived as totally unconscious and innocent or as coquettish and sexually precocious. Harriet Chessman argued that the girl’s pose derives from the traditional, erotic odalisque and thus was intended to foreshadow her adult sexuality. But in fact it seems that the attraction of this image lies in its naturalism. Children are less self-conscious than adults; they continually, rearrange their clothes and limbs and are often unaware of social conventions. Thus the work can be seen to reflect the then-current view of children as pure and unfettered beings. The jury may have objected to the artist’s radical handling of the background. As in her domestic interiors of the time, she reduced spatial depth by choosing a sharp, high angle for the floor, crowding the chairs together, and abruptly cropping the windows. Again, as in Children on Shore, the viewpoint from which the subject is observed is low and empathetic – the same level from which a child would see…”

If you want prints of Cassatt’s work, check out


Leave a Reply

Please log in using one of these methods to post your comment: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s